Hakawati Jinn – Chapter Two

NEW BOOK ALERT!

I’m working on a new book and want YOUR feedback! Each week, I’ll post a new chapter, and want you to provide your thoughts, opinions, feeling, and feedback on the chapter.

Be brutally honest.

I awake before the sun is bright enough to cut across the horizon. 

The dead have been dropping all night. I gather the pomegranate seeds – each one a soul who has died in the last day – scattered across the front of my house into a basket, my hands red and sticky with juice. 

Layala is still sleeping as I sit down, setting the basket on the table. My joints click, a side effect of the curse. I age faster than I should. Already I have white streaks in my hair, and some of my eyebrow hairs are white. Just thirty, but I look a decade older, at least. 

I press the seeds and let the juice seep into a bowl. Each seed contains the story of the person the soul belonged to. My job as mutahida is to tell each soul’s story, to write each soul’s tale. It’s the only way for a soul to leave the waiting place in between life and death, and enter true death, or Mote. 

I take a sip of the pomegranate juice and wrinkle my nose. “Bitter today,” I say to myself, pouring honey into the bowl. I stir then take another drink. The stories come in flashes, too quick for my mind to understand, and I’m too tired to try, but my magic is fast enough to catch them. 

I write, my fingers weaving stories in the air, words curling into smoke. I’m a hakawati jinn, and the stories I weave return to death and to the souls they belong to. Once a soul’s story is told, they can take it to Mote’s gatekeeper and pay for their safe passage into Mote. From there, they will have eternal bliss and peace. 

I drink more of the juice, weaving smoky tales in the air with my other hand. The stories disappear almost as soon as they form, getting swallowed back into death. 

Layala stirs behind me, slipping out of her bed and padding behind me. She says nothing as she sets a pot of tea to boil and begins making our breakfast. 

I thank the heavens for her every day, the one good thing in my life. 

I drink the last of the juice and, more out of habit, I glance at the lone pomegranate seed I keep in a small glass jar on a shelf. 

Layala’s father. Those who have died by their own hand have no place in Mote. They are banished to jehinam, to suffer eternal cold and perpetual executions. 

It was the only love I could show him after his death – to keep him in the waiting place, rather than write his tale and send him to suffer. 

He visits us sometimes, as happy as any dead could be. 

As if thinking about him conjured him, he steps into the cottage, his body more smoke and ash than flesh and blood. 

“Illyas,” I say, rising to my feet. 

He kisses me, soft and, if not warm, then not the cold expected with the dead. And though his face fades through mine, I pretend I feel his solid flesh. 

“Sabah al kheer, baba,” our daughter says, throwing her arms around him. Good morning, father. Her arms collide with his body, the only few minutes of a day he is made of enough flesh to touch, though her skin is streaked with ash when she lets go. I reach out to touch him and he takes my hand. 

He can only keep his form a few minutes in a day, in the moments when the sun’s light turns from red and orange to its day colors. 

“And how are my girls today?” he says, as he does every visit. 

“Good,” Layala says. “I’m going to see jido again today.”

My dead lover’s face stiffens, but he forces a smile onto his face. “You should spend more time at home, with your mother,” he says, and I throw him a grateful look. 

But before Layala could respond, Illyas disappears as the sun’s light breaks through our windows and the morning is fully awake. 

We both sigh, always wishing for just one more minute with him. 

“I wish we could go into death,” Layala says. “You’re a jinn, you’re made of death itself. Are you sure there’s no way–”

“No, Layl. I’ve told you before. Jinns manage death, they don’t enter it or keep its company, not if they can help it.”

I hate lying to my daughter’s face, but her questions have plagued me for years. Ever since she was a child, she wanted to know: what was death like, was it something you could take trips to?

It’s better she knows as little as possible, even if she is half-jinn. She’ll likely never have my magic, and it’s best she doesn’t. 

“I’m going to jido’s,” she says with a sigh. “I’ll be gone all day.”

“Your father is right, you know. You should stay home more, learn a craft so you can support yourself when I die.”

“You’ll be around for many more years, maman. You just don’t like jido much,” she teases, kissing me on my head as she darts off to get dressed. 

I glance back at that lone pomegranate seed on the shelf. He’s nothing like his father, and thank the heavens for that. 

My daughter leaves the house in a flurry of color and voice. “Bye Maman!” she yells, barely throwing me a parting look. I give her a headstart, grabbing an empty bottle and one filled with honey, and a canteen of water. 

Then I take the stony pathway at the back of the house, and head straight for the cemetery. It’s filled with chipped tombstones sporting moss shoulders and spiderwebs. No flowers or notes mark any grave anymore – the cemetery has long been forgotten. 

Which is why it’s perfect for my escapes into death. I lean back against a tree and spy a fox watching me. 

“Come to see me walk into death, little one?” I say. 

The fox cocks its head at me, his snout curled up in a characteristic smile. Then it dashes off, its bushy tail following. 

I fill the empty jar with dirt from a grave, mix in the honey and water, and drink the mix. My mouth fills with granules of stone and sand and I try not to chew any, only swallow. The honey does little to mask the taste, but it’ll do. 

When the dirt water settles in my stomach, I press my hands to the ground and let the cold of the earth seep into my skin. It’s familiar, this feeling of being one foot in the warmth of life and the other in the cold of death. 

My dead lover greets me. He’s a shadow first, then the smoke curls in around him and I can just make out his features. He’s smiling, as usual, his hand outstretched me. I take it and like lightning striking me, my body jolts and my soul is in death. 

“Hakawati,” he says, calling me by my title rather than my name. “Hiyati.” My life. 

“Illyas,” I say, letting him guide me to a bench. Death surprisingly has small comforts for those who can’t or won’t pass on to Mote or jehinam. “How are you?”

He laughs, the sound gravelly but warm, like honey mixed with sand. I want to hold him like he used to hold me, when he was alive. But bodies move and fit differently in death, less flesh and more ash. “As good as can be. How are my girls?”

“Well enough. Your daughter threw animal shit at some boys who were bothering her yesterday. I don’t know if I should encourage her fiery personality or douse it,” I say, laughing. 

Illyas laughs, but there’s a tightness in his face. “She should be careful,” he says. “She’s still your daughter, and they don’t take kindly to that.” He brushes a hand across my face, and though I don’t feel skin, there’s still a trail of warmth. I lean my cheek into his touch, and he lets me rest my weight against him. 

“There’s so much I want to tell her,” I say, “But I don’t know if I should. And I’ve told her so many lies over the years. How do I undo that?”

Illyas says nothing, but when he tries to pull me in closer to his chest, we fade into each other, smoke curling into smoke. We pull back, our bodies regaining substance. 

“Hakawati, tell her a story. You’ve spun her tales since she was in a cradle, she will feel your meaning, even if she doesn’t understand it. Weave her a story, see what she says.”

“She’ll roll her eyes and ask to go to her grandfather’s house. She’s had little patience for me lately.”

Illyas laughs, shaking his head. “She reminds me of me when I was her age. I don’t know if that’s a good thing.”

“I loved you at that age,” I say, reaching out for his hand. I let mine hover over his, so we feel each other’s warmth. 

Loved?” he teases. “Not anymore?”

I crack a smile, “You know you’re my one and true love.”

He chuckles again, then sobers. “You shouldn’t be alone anymore. Layl is getting older, she will one day leave home to start her own. What will you do then?”

“Visit you more often,” I say. 

Illyas shakes his head. “You should find someone.”

“I remember you being rather jealous of a certain Ihab in the village,” I tease, “When he gave me flowers during the midsummer festival.”

Illyas barks out a laugh. “I was young and unsure of your affection. And I seem to recall you encouraging him, just to make me jealous.”

“I might have,” I say with a smile. “I don’t remember.”

“Lies. You remember everything as if your brain is a stone and someone’s carved words into them.”

“Speaking of stone,” I say. “Layala found a tombstone, with someone’s name on it. Hasim Hasan. Do you know it?”

Illyas’ shoulders tense. “Tell her keep away from that grave. Even in death, I wouldn’t trust him.”

“Why? Who is he?”

“He was an assassin, a jinn hunter, in my great-grandfather’s time. My father is his godson, you know. When baba imprisoned the jinns, he did so with Hasan’s grandson’s help.”

I nod, getting to my feet. “I should return. The sun will be setting soon.”

“I’ll walk you home,” Illyas says, and we both smile, because we know the dead fear the dark, and there’s no leaving death for Illyas tonight.

I hover my lips at his cheek in the mimicry of a kiss. Anything more, and we’d fade into each other. 

“Goodbye, Hakawati,” Illyas says. “I’ll miss you until next time.”

The Hakawati Project: The Syrian Crisis — HyeTert

YEREVAN—The Los-Angeles/Berlin based non-profit Hakawati (storyteller, Arabic) has announced that it will be cooperating with the Sundance Institute and Film Independent to organize and launch a two-month comprehensive filmmaking lab for those impacted by the war in Syria called The Hakawati Project (THP). To be hosted in Armenia, THP will provide a platform to nurture […]

The Hakawati Project: The Syrian Crisis — HyeTert

Hakawati Jinn – Chapter One

NEW BOOK ALERT!

I’m working on a new book and want YOUR feedback! Each week, I’ll post a new chapter, and want you to provide your thoughts, opinions, feeling, and feedback on the chapter.

Be brutally honest.


“Maman!” my daughter yells. She comes running up the stony pathway to our hut on those long colt legs. “Maman, look what jido gave me!”

I force the tension out of my jaw and smile at her instead, wiping my hands, still sticky with pomegranate juice, on the front of my dress. 

She waves a bundle of papers and a shiny pen – a gift from her grandfather. “He said he is going to send me books,” she says, twirling in front of our home. 

I smile at her excitement, and reach out for the pen.

“It’s lovely,” I say, holding its golden body in my fingers. “What will you write with it?”

“Oh, I don’t know,” she says, pursing her lips in thought. “Stories. Like you do, except I’ll put them on paper.”

 “Your stories and mine are different, bintay,” I tell her. My daughter. 

She rolls her eyes in all the exasperation of a girl on the cusp of womanhood. Still, she’s just fourteen, and I pull her in for a hug. She smells the same as she did when she was a baby – of powder and sweet skin. I breathe in her scent, keeping her in my arms for as long as she’ll let me. But soon enough, she’s unwrapping herself out of my arms and running into the house. 

I follow and watch my child sit down at our table, scribbling on those blank sheets. She glances up when she senses my staring and rolls her eyes again. 

“What else did you do today?” I say. “Were you in the cemetery again?” I add, staring pointedly at her dirt-covered knees. 

“I don’t get why you hate me being around dead bodies so much when you’re always spending time with souls.”

“It’s my job,” I say, though I want to say punishment instead.

“Well, I did find an old tombstone,” she starts. “A really old one. Older than jido, even.”

“Oh? Whose name was on it?” I say as I pull out a few potatoes and bread and some dried thyme and sesame seeds from our stores. 

“The letters were too faded. But,” she said, holding up a sheet of her grandfather’s paper. “I rubbed this name. It looks like one of the original elders.”

I take the paper from her, glancing at the name. “Hasim Hasan,” I read. “I don’t know it. Your grandfather might.”

“He’ll just say ‘a young lady shouldn’t be rolling around in dirt like a hog in heat,’” she says, furrowing her eyebrows and making her young voice as gruff as she can. She even wags her fingers, just as I imagine her grandfather would. 

I giggle with her, and she pushes aside her papers to draw herbs towards her. Small knife in hand, she begins chopping at them. I take the second knife and dice potatoes. 

“What else did you do today?” I say.

The smile fades from her face and she shrugs.

“Layala,” I say, “What is it?”

She looks up at me with those eyes so dark and wide like her father’s, my breath stutters. “I went into town.”

“Oh, Layl,” I say, pulling her into my side for a quick hug. “You know what the townspeople are like. Just stay away.”

“I wanted to see the books. Jido said Kitabi Kitab got a new shipment of books from the far west,” she said, delight brightening her face. “And they were so beautiful, maman. You should have seen the covers. Velvet and silk and so many pretty colors. I’ve never seen anything like them before.”

“But?” I say.

“But a few of the boys chased me off. They called me witch and deathbringer.”

I sigh, the knife in my hand in midair. “I hope you didn’t throw stones at them.”

“Of course not,” she grins. “I threw horse shit.”

“Layl!”

She laughs, and I can’t help but laugh with her. “You know you shouldn’t have.”

“I know, but they deserved it.”

“Yes, but their parents might now come to our house, and what good would that do for us?”

She sobers, her face screwing up in anger. “They have no right–!”

“Many people have no right to say or do the things they do, but the difference is, some get away with it, and some don’t. We’re in the second group, Layl.”

She picks at the herbs, ripping off leaves and tossing the stems aside. “It’s not fair. And it’s not fair you’re stuck all the way out here, just because the townspeople needed a mutahida to deal with their dead.”

I don’t say anything, only cut the potatoes into blocks and dump them into a bowl of oil. Layala takes the bowl and rubs in the herbs, releasing fragrance into our small cottage. Soon, we have a fire growing against the cold of the oncoming night, and food cooking over it. 

“I wish–” she starts to say when we’ve eaten and she’s getting ready for bed. But my daughter doesn’t finish her sentence, only shakes her head and slips into her cot, her back towards me. 

“I have wishes, too,” I whisper. “But they never come true.”

I wrote a book!

(but it’s not published…yet!)

Mistlyn is published in full on Wattpad.com and I’ve entered it into Wattys 2019 awards!

The only way thirteen-year-old Mistlyn can bring her dead village back to life is by going with a conniving Jinn to the world of the dead, the Realm of Mote.

The only survivors of their burned village, Mistlyn and her best friend, Sahria, are captured and held prisoner by the Lizsard People. Sahria is forced to be a court dancer, while Mistlyn has been forced to sit on two eggs that are said to contain the life force of the seven races of earth. But once the eggs hatch and another three days have passed, Mistlyn will no longer be needed by the Lizsard King.

Before anything further can happen to her, Mistlyn is convinced to leave with the Jinn who promises to help her escape and bring her family back to life – if she does a favor for him. But the Jinn isn’t the one Mistlyn has to worry about…

Check it out, like, comment, and share! ❤

Reading World Fantasy Books

In case you haven’t heard, in 2012, Ann Morgan read the world in a year. She compiled a list of all the countries of the world, and chose a book from each country to read, expanding her literary prowess.

I wrote a post regarding her excursions, and my own decision to follow in her steps.

Now, I’m here to forge a new path, by reading fantasy novels from around the world. I plan to do what Ms. Morgan did, but focus on fantasy stories, rather than any other literature. Since I am a fantasy writer, this makes sense.

I am skipping the US and UK, since I’ve already read fantasy books from those countries, and no fantasy books have come out from Vatican City, as far as I know.

Update: It’s been difficult finding fantasy books from some countries, so I am expanding my search to science fiction and horror.

  •  Afghanistan
  • Albania
  • Algeria
    • Invaders of Dreams: Djamel Jiji
  • Andorra
  • Angola
  • Antigua and Barbuda
    • Redemption in Indigo: Karen Lord
  • Argentina
    • Kalpa Imperial: The Greatest Empire That Never Was: Angélica Gorodischer
  • Armenia
    • Ani Hovhannesyan (Anina): Bureaucrat
  • Australia
  • Austria
  • Azerbaijan
  • Bahamas
    • Infestation: Tanya R. Taylor
  • Bahrain
    • QuixotiQ: Ali al Saeed
    • Dragon Tooth: M. G. Darwish
  • Bangladesh
  • Barbados
    • Redemption in Indigo: Karen Lord
  • Belarus
  • Belgium
    • La Guerre du Feu: J.H. Rosny
    • The House of Oracles and Other Stories: Thomas Owen
  • Belize
  • Benin
  • Bhutan
  • Bolivia
  • Bosnia and Herzegovina
  • Botswana
  • Brazil
  • Brunei
  • Bulgaria
  • Burkina Faso
  • Burundi
  • Cabo Verde
  • Cambodia
  • Cameroon
  • Canada
    • Eileen Kernaghan: The Alchemist’s Daughter
    • Clem Martini: Feather and Bone: The Crow Chronicles
  • Central African Republic
  • Chad
  • Chile
    • Ygdrasil: Jorge Baradit
  • China
  • Colombia
  • Comoros
  • Congo, Democratic Republic of the
    • Everfair: Nisi Shaw
  • Costa Rica
  • Cote d’Ivoire
  • Croatia
  • Cuba
    • The Island of Eternal Love: Daína Chaviano
  • Cyprus
  • Czech Republic
    • Labyrint (Labyrinth): Pavel Renčín:
    • Aberrant: Marek Sindelka
  • Denmark
    • Alex Uth: Marskens konge
  • Djibouti
  • Dominican Republic
  • Ecuador
  • Egypt
    • El3osba: John Maher, Maged Refaat, and Ahmen Raafat
  • El Salvador
  • Equatorial Guinea
  • Eritrea
  • Estonia
  • Ethiopia
    • Who Fears Death: Nnedi Okorafor
  • Fiji
    • The Fantasy Eaters: Stories From Fiji: Subramani
  • Finland
    • En tunne sinua vierelläni (I Don’t Feel You Beside Me):Tiina Raevaara
    •  Unenpäästäjä Florian (Dream Releaser Florian): Jani Saxell
    • The Core of the Sun: Johanna Sinisalo
  • France
  • Gabon
  • Gambia
  • Georgia
  • Germany
  • Ghana
    • Tail of the Blue Bird: Nii Ayikwei Parkes
  • Greece
    • The Odyssey: Homer
  • Grenada
  • Guatemala
  • Guinea
  • Guinea-Bissau
  • Guyana
  • Haiti
  • Honduras
  • Hungary
  • Iceland
  • India
  • Indonesia
  • Iran
    • The Wrath and the Dawn: Renee Ahdieh
  • Iraq
    • Ahmed Saadawi, Frankenstein in Baghdad
  • Ireland
    • Skulduggery Pleasant: Derek Landy
    • Tokyo Gothic: David Conway
  • Israel
    • Sequoia Children:Gon Ben-Ari
    • Nuntia (Frost): Shimon Adaf
    • Central Station: Lavie Tidhar
  • Italy
    • Scarlett: Barbara Baraldi
    • Black Flag: Valerio Evangelisti
    • Forget me, Find me, Dream me: Andrea Viscusi
  • Jamaica
  • Japan
    • Spice and Wolf : Isuna Hasekura
    • Dragon Sword and Wind Child: Noriko Ogiwara
    • Hard-Boiled Wonderland and the End of the World: Haruki Murakami
  • Jordan
  • Kazakhstan
  • Kenya
    • Wizard of the Crow: Ngugi Wa Thiong’o
  • Kosovo
  • Kuwait
  • Kyrgyzstan
  • Laos
  • Latvia
  • Lebanon
  • Lesotho
  • Liberia
  • Libya
  • Lithuania
  • Luxembourg
  • Macedonia
  • Madagascar
  • Malawi
  • Malaysia
  • Maldives
  • Mali
  • Malta
  • Marshall Islands
  • Mauritania
  • Mauritius
  • Mexico
  • Micronesia
  • Moldova
  • Monaco
  • Mongolia
  • Montenegro
  • Morocco
    • Mirage: Somaiya Daud
  • Mozambique
  • Myanmar (Burma)
  • Namibia
  • Nauru
  • Nepal
  • Netherlands
  • New Zealand
    • The Dragonslayer’s Apprentice: David Calder
  • Nicaragua
  • Niger
  • Nigeria
    • The Famished Road: Ben Okri
    • My Life in the Bush of Ghosts: Amos Tutola
    • Akata Witch: Nnedi Okorafor
    • Rosewater: Tade Thompson
    • Lagoon: Nnedi Okorafor
  • North Korea
  • Norway
  • Oman
  • Pakistan
  • Palau
  • Palestine
  • Panama
  • Papua New Guinea
  • Paraguay
  • Peru
  • Philippines
    • Patron Saints of Nothing: Randy Ribay
  • Poland
    • Wit Szostak: Chocholy (The Chochols)
    • The Witcher
  • Portugal
  • Puerto Rico
    • United States of Banana: Giannina Braschi
    • Dealing in Dreams: Lilliam Rivera
  • Qatar
  • Romania
  • Russia
    • The Scar: Marina and Sergey Dyachenko T
    • Mariam Petrosyan: Dom, v kotorom… (The House Where…)
    • Simbionty (The Symbionts): Oleg Divov
    • S.S.S.M. (The Happiest Country in the World): Maria Chepurina
    • Padeniye Sofii (The Fall of Sophia): Yelena Hayetskaya
    • Day of the Oprichnik: Vladimir Sorokin
    • Shadow Prowler: Alexey Pehov
    • There once lived a woman who tried to kill her neighbor’s baby: Aludmilla Petrushevskaya
  • Rwanda
  • St. Kitts and Nevis
  • St. Lucia
  • St. Vincent and The Grenadines
  • Samoa
  • San Marino
  • Sao Tome and Principe
  • Saudi Arabia
  • Senegal
  • Serbia
    • Kosingas: Order of the Dragon: Aleksandar Tesic
  • Seychelles
  • Sierra Leone
  • Singapore
  • Slovakia
  • Slovenia
  • Solomon Islands
  • Somalia
    • Olondria: Sofia Samatar
  • South Africa
    • Lauren Beukes: Zoo City
  • South Korea
  • South Sudan
  • Spain
  • Sri Lanka
  • Sudan
  • Suriname
  • Swaziland
  • Sweden
    •  Lilla stjärna (Little Star): John Ajvide Lindqvist
    • Udda verklighet (Odd Reality):Nene Ormes
    • Vännerna (The Friends):Lars Jakobson
    • Let the Right One In: John Ajvide Lindqvist
  • Switzerland
    • Conspiracy of Calaspia: Guptara Twins
  • Syria
    • Breaking Knees: Zakaria Tamer
  • Taiwan
  • Tajikistan
  • Tanzania
  • Thailand
  • Timor-Leste
  • Togo
  • Tonga
  • Trinidad and Tobago
    • Bloodspell: amalie Howard
    • A wave in her hand: Lynn Joseph
  • Tunisia
  • Turkey
  • Turkmenistan
  • Tuvalu
  • Uganda
  • Ukraine
    • Vita Nostra: Sergey and Marina Dyachenko
    • The land of Stone Flowers: Sveta Dorosheva
    • The Stranger: Max fREI
    • Kaharlyk: Oleh Shynkarenko
  • United Arab Emirates
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Yemen
  • Zambia
  • Zimbabwe Yuri Herrera

Too Many Plot Points–too little words

#overwhelmed #excited #ihavenocluewhatimdoing

I’ve just finished round two edits of my MS, and I’ve decided to let it sit for a whole month before looking at its darling face again.

In the meantime, I’ll work on the sequel.

So today, the day I’ve finished two whole rounds of head-battering edits, I went to a sushi restaurant for lunch and sat down with notebook, pen, and a printout of 29 bullet points of if ideas I got while editing, all for the bloody sequel.

And let me tell you–there are ideas galore.

Which now leaves me feeling both excited and overwhelmed. I don’t think I get how authors can plot out their whole book and not drown in their own tears by thinking about all the plot points they want/need to hit.

As I was walking back to the office after lunch, stepping in rain puddles and feeling the cold rain seep in through my jacket and into my hair, all I could think was, wow! I have tons of ideas, I’m so happy, even though it’s so gloomy outside, but oh shit, how am I ever going to write this. I don’t even know where to begin. I’ll never get it done, it’ll be horrible, what am I to do, I’m not good enough.

Basically, all the negative self-defeating thoughts that arise pretty much every day that you’re writing.

So, while walking, I was also thinking, I’ve done it before, written whole novels, hell, whole series, so I can do it again. Sure, none of my books are published, but I’m working on that, and that’s what’s going to do it for me–the drive.

And I thought, the best way to approach this is to approach it in chunks–work on one chapter at time, with specific goals in mind, and not worry too much about everything else–they will all fall into place the way they were meant to. It’s how my writing has always been, and even though I have 29 plot points, my writing will fall into place just the same.

My writing lesson of the week: Approach plot points one/few at a time, and don’t concern yourself too much with the other plot points. Let your brain do its creative job and it’ll bring in all/most of your ideas, in the right timeframe that is best for your book.

 

My manuscript, well, sucks

Right now, I’m editing one of my newest books. And it’s horrible.

The work isn’t what’s horrible, it’s the writing that is. I feel like my work falls so short of my standards, or other readers’ standards, and others haven’t even read the book!

I also feel like I’m not a good writer and I’m deluding myself into thinking I could make it big as a fantasy author.

I’m also feeling like my writing will never improve and that the story will never be tightened enough to make it publishable and a bestseller.

I’m also thinking I’m going to need to burn the whole MS and never think of it again.

But, I’ve gone through this before, with other manuscripts I’ve written, and I always pushed through the work and the emotional insecurity.

As I  go through the process once more, I’m trying to remember in the back of my mind these key points:

  1. The fact I’m cringing as I’m editing tells me I’ve improved as both a writer and a reader–what I originally thought was good writing I no longer consider to be. That tells me that I’ve grown and am more aware of what makes for good writing vs bad writing.
  2. Every work needs to be edited. I’ve heard others say that a book is never written, its rewritten again and again. The book on bookstore shelves is most likely not a first draft, or even a fourth. It’s more likely a tenth. And even if your book demands more editing than some other books, as long as it becomes better and publishable, that’s the goal.
  3. My writing is typically considered creative even as the technicalities fall short. That is, my story is solid and creative, even if my writing needs work. I’d rather be in this position than be writing stale stories that don’t interest people. That’s less easily fixed than working on tightening your writing.
  4. I can always learn—my brain is plastic, which means it responds to the environment and my experiences, and can grow in its abilities. Therefore, I’m not stuck with horrible writing if I work at it–and work at it I will!

Confession: I’m a Culturally Monogamous Reader

Want to be a better writer? Then be a better reader.

There’s a blog post on how one lady “read the world in a year.” She’s a voracious reader, from what I understand, but she realized one day that she didn’t read much past her culture and country’s literature. Recognizing that this was an issue for her, and feeling stunted by her multicultural illiteracy, she set out to compile a list of books from UN-recognized countries (195, plus one more (Taiwan), and read one book from each country for an entire year. That’s 196 books–in one year. I’m a rabid reader, but I don’t think even I hit that target annually.

At any rate, she did it!, and graciously provided her hard-earned list for us to walk in her footsteps, or forge our own.

You can check out her TedTalk for a better look at how her idea was conceived, and how she set out to read the world in one year. She has interesting tidbits on how people from around the world helped her reach her goal; some strangers even mailed her packages of books! Imagine being touched by a stranger, across the world, whom you’ve never met, and may never meet, in such a generous way. I have goosebumps just thinking about it.

I’ve decided that I, too, want to expand my reading list. I don’t want to be a culturally monogamous reader–I want to not only experience culture by traveling to other nations, but I want to read their words, understand their minds, feel their characters. Language and storytelling is a major part of many cultures, and understanding another culture means drowning–not just immersing–yourself in the literature.

I’ve broken down the list, which contains far more than 196 books (she keeps adding to the list, and this was a 2012 project for her, so you can imagine how many several hundred books are on that list now), into months. I’m going to give myself 1.5 years, not one year, to read through the list.

Since my mother was born in Trinidad, and my father was born in Syria, I’m going to read those countries first. I traveled to Morocco, so I will read that country as well early on. I also plan on heading off to Peru sometime soon, so I’ll read books from there as well to begin with.

From there, I’m going to randomly choose countries and read the books from that country. Spices up things a bit for me than going straight down a list–I won’t know what country’s next, so it’ll up the excitement for me.

If I don’t read the books in 1.5 years, that’s fine, because this is more about experiencing a piece of a culture than competing with myself to read as many books as possible in a given time period.

January 2016:
Trinidad & Tobago

HouseForMrBiswas

March 2018:
Russia


Close, so close…

So I sent out my MS to a small publishing house, and…well, he rejected me.

BUT!

There’s a but!

But, there’s good news!

Here’s what he said:

Screen Shot 2015-12-23 at 10.41.52 AM

 

There’s hope yet for me!

I’m going to keep on trying, doing what he says he thinks will make my book better, and I’ll resubmit!

One step closer, that’s what I’m telling myself.