Skimming time

I’ve been noticing an awful behavior in myself: skimming.

When articles are longer, even if engaging, I find myself beginning to skim partway through, my eyes darting around searching for keywords alone to understand and judge the content, even as I know that that is not understanding.

When I read books, I now sometimes skim pages to get to the book’s end sooner, so I can move on to the next book, because my ever-growing TBR list is, well, ever-growing. I have lists of books I want to read this year, which I do every year, and never get through said lists. Yet I make them anyway, adding more to it, even as I barely cut through the titles.

And I wonder, how much of this is driven by my need to add and track my reading goals? How much am I being driven to read more, learn more, understand more, because of all the lists I create, and the reading goals (# books, # pages) on Storygraph or Goodreads I set for myself each year? Perhaps, I wonder, that the goal of reading less but more fully, is actually the better goal. That instead of saying I will read 100 books this year, perhaps I should tell myself, I will read 40 books this year. Or maybe, I have no goal in mind, except to understand a chosen topic.

This year, I actually deleted my initial reading and page goals on Storygraph, and instead decided to simply read, only tracking titles I’ve finished, and the lists of books, the Challenges, I want to participate in. Now, I’m wondering if I should even bother with those Challenges as they are, and instead curating one single list of limited titles, based on a topic I want to learn more about this year. That instead of worrying about how many books I’m getting through, I should consider what I’m thinking deeply about. Rather than fear of missing out on knowledge, which drives me to rush through a book to get to the next, I ant to reframe it as sitting with wisdom, which can only come after letting knowledge take its time. What is the use of rushing through the pages, only to come out the other end with only a vague notion of what I’ve “learned?” It is not, in fact, learning.

I wrote in another article that I purged my home library of 200+ physical books, which has helped me more clearly select books to read, because I’m not caught up in analysis paralysis. And it has helped, as I pulled out books I bought a dozen years ago, and have finally cracked open. One title, The One Taste of Truth: Zen and the Art of Drinking Tea I am certain I’ve had since the early 2010s. Now, as a ritual, I make golden milk and read just a few pages, trying to imbibe the wisdom in the pages. The book is short, and yet I’ve been going through just a few pages per week, hardly making a dent in finishing the book. And I’m fine with that.

This year, something’s switched in my brain, where I am feeling less driven by goals and to-dos and being productive, something I spoke to in my article, The Stillness of Sufficiency. This drive to shed even reading goals, in terms of the numbers, is one piece of this overarching puzzle. I don’t mourn it, which I find surprising, because I have always been driven by “the numbers:” school grades, work performance review ratings, and everywhere else numbers show up in our lives: “likes” and comments on social media, the number that shows up when we step on the scale, the number of social events we attend, etc.

Something is in the 2026 air, because I am done with tracking and trackers, with distilling my lift into “the numbers.” Perhaps it’s because it all seems futile and only serves to create anxiety, perhaps it’s fatigue, or perhaps it is emotional growth. Whatever the reason, I find it is more fulfilling, and a necessary shift in my intellectual, emotional, and life maturity.

The only “number” I think I am beginning to care about is, well, none in particular. I simply want to live more fully, slowly, and with a depth I seem to have lost over the years. I don’t want to skim, I want to immerse, to take my time, and to shed old ways of simply moving from one goal or task to the other and replace that with more holistic views of being. Instead of relying on a quantified experience of life, I want to live in a more exploratory and contemplative way. Instead of having a “backlog” pressure, I want to feel free to read as much or as little, and to take as much space as I need to to fully feel and understand what I’m reading.

Even my writing has changed this year. I am focusing less on all the manuscripts I am dying to write, all the stories I am desperate to tell, and more on simply telling a good story and giving it space and time to breathe. I’ve begun exploring a manuscript this year I hadn’t planned on, the beginning of the story simply coming to me. It’s been a couple weeks now, and I’m five chapters in, when typically by this time, I’d probably be a third or more done with the first draft. And yet, I feel no sorrow, no ache, no anxiety to finish.

Rather, I’ve had the thought of, “it will take the time it takes.” And, I’m allowing my brain to sit with the story, as I am only working on the writing two days a week, rather than daily. I don’t know where this will lead me, surely not on a bestseller list, but I do think it will allow me to be more intentional with this story, and to craft something more meaningful. Or perhaps not, and that is okay, I think.

The idea of not tracking in the past would have left me anxious and wondering, “how would I know how far I’ve come?” but now, it has me feeling more, “look how much time I’m giving myself.” It feels healing, almost spiritual, as if respecting time and letting it simply exist around me is less about what has been done in this hour, and more, what has this hour held. Rather than measuring life, I want to inhabit it.

Creativity demands time and incubation, a sense of forgetting about the specifics and letting the brain sharpen the blurry edges.
It’s something I’m trying new; I’ll let you know how it goes.

By: Rania Hanna

If you want more content like this, be sure to follow my Substack.

Curating against anti-intellectualism

I’ve been thinking more about curation.

The last few years, I have hoarded more and more books, only to find myself stepping into my home library and not knowing what I want to read. On Google, I have pulled up a random number generator, selecting first a range from 1 to the number of bookshelves I have, and then within that shelf, selecting a range from 1 to 30 or so, to narrow down to a single title. Rarely, which is to say, never, have I pulled that book off its shelf and actually read it.

Instead, I would find myself back at the bookstore, searching for some book to read that suited my mood. I’d come home, either read the book, or end up setting it atop a pile and choosing something else to read.

This cycle has continued on to the point of a certain fatigue, and, if I’m being honest, frustration at not knowing what to read or how to choose.

My home library has traditionally numbered in the hundreds, sometimes rising to 600+ books, which I’ve always taken pride in. There’s a certain comfort in surrounding myself with the written word, being inspired by others’ thoughts, and always aspiring to read every book I own.

These physical books are besides the audiobooks and digital copies I have bought over the years.

The past few weeks though, in a fit of early spring cleaning, I have purged about 200 physical books, over the span of several weeks, donating many to my local library.

And the more I do so, the more books I want to let go of. It’s been surprisingly easy to do, something I’ve rarely, if ever, experienced before. I still have books piled atop books, and on my bookcases, and crammed in piles surrounding the space, but the gaps are beginning to show.

Some of the books I have had for well over a dozen years, having never opened them once to read. Others I thought I would enjoy, only to find myself tossing it aside. Still others I enjoyed at one point in my life, but have grown away from them.

Now, my shelves are taken up by books I have yet to read, but have a higher likelihood of being selected in the coming months and years. I have saved stories I have enjoyed, ones I would recommend to someone. In other words, I have curated something of a proper library, one that represents who I am and who I am becoming.

Books that I once revered have been removed; stories I once thought I “should” enjoy have been replaced by ones I will. I am growing far less concerned about having “classics” on my shelves that I do not enjoy, though I have tried to.

Which brings me to something I have been thinking about more and more recently: literary colonialism.

When thinking about the books I grew up reading in the United States, in school or simply through exposure, most have been Eurocentric, written by white people, mostly male. They have been excellent reads, and have provoked thought and consideration. But rarely has my formal education expanded beyond these identities. Even in world literature classes, anything outside that identity was pulled from more ancient epics, like that of Gilgamesh, or snippets here and there from other works, but mostly, even our global narratives were pulled from England (Shakespeare), Germany (Beowulf), Italy (Dante’s Inferno, Divine Comedy), Greece (Homer’s works), and the like, i.e. Eurocentric, white, male. I don’t recall reading a single Black author in school in any meaningful way, not Toni Morrison’s works, Octavia Butler’s, the Reverend Jesse Jackson’s, even MLK Jr’s. Not a single Black American author, not a single brown author, and limited female ones.

Why is that?

I am certainly not the first to argue this literary limitation, and certainly not the first to do anything about it, nor am I the most educated voice on this. But as I grow more into myself and into who I want to be, I am learning to lean less on what I have been told is worthy of being read, and more on what I think is deserving of my energy.

This is important. Stories we read shape what we think people should be and how they should act. They tell us what to value, what to reject. They tell us how to be. And that is a powerful and dangerous power.

In curating my library, I am not seeing the loss of 200 books; I am seeing the gain of the space I am making for other voices to be heard. I am creating opportunity to listen to those I have not historically listened or paid attention to, or the ones I wasn’t exposed to in my education. In essence, I am curating not just a library, but my own curiosity. And that is one of the greatest things I can do in developing my mind.

There also seems to be a metaphor in here about stepping back, narrowing focus, and being more deliberate. While my shelves are being cleared off, I’m seeing more of the titles I already own, books that I want to read being more visible because they’re no longer hidden by other titles. A reversal of paralysis by analysis, I suppose.

With our society’s descent into a defanged intellectualism, that is, anti-intellectualism, by way of book bans, whitewashing of history, erasure of voices, and the like, this has become all the more pressing. It feels almost like survival in its urgency.

I plan to continue this curation, centering voices I have not historically given space to, and educating myself the best way I can. I am also retaining physical copies of works, something I touched upon in another blog post, access is not ownership. When reality can be manipulated, media updated or deleted, it is that much more important to house physical copies when and where possible, and to support those institutions that allow us access, like libraries.

By: Rania Hanna

If you want more content like this, be sure to follow my Substack.

Reading World Fantasy Books

In case you haven’t heard, in 2012, Ann Morgan read the world in a year. She compiled a list of all the countries of the world, and chose a book from each country to read, expanding her literary prowess.

I wrote a post regarding her excursions, and my own decision to follow in her steps.

Now, I’m here to forge a new path, by reading fantasy novels from around the world. I plan to do what Ms. Morgan did, but focus on fantasy stories, rather than any other literature. Since I am a fantasy writer, this makes sense.

I am skipping the US and UK, since I’ve already read fantasy books from those countries, and no fantasy books have come out from Vatican City, as far as I know.

Update: It’s been difficult finding fantasy books from some countries, so I am expanding my search to science fiction and horror.

  •  Afghanistan
  • Albania
  • Algeria
    • Invaders of Dreams: Djamel Jiji
  • Andorra
  • Angola
  • Antigua and Barbuda
    • Redemption in Indigo: Karen Lord
  • Argentina
    • Kalpa Imperial: The Greatest Empire That Never Was: Angélica Gorodischer
  • Armenia
    • Ani Hovhannesyan (Anina): Bureaucrat
  • Australia
  • Austria
  • Azerbaijan
  • Bahamas
    • Infestation: Tanya R. Taylor
  • Bahrain
    • QuixotiQ: Ali al Saeed
    • Dragon Tooth: M. G. Darwish
  • Bangladesh
  • Barbados
    • Redemption in Indigo: Karen Lord
  • Belarus
  • Belgium
    • La Guerre du Feu: J.H. Rosny
    • The House of Oracles and Other Stories: Thomas Owen
  • Belize
  • Benin
  • Bhutan
  • Bolivia
  • Bosnia and Herzegovina
  • Botswana
  • Brazil
  • Brunei
  • Bulgaria
  • Burkina Faso
  • Burundi
  • Cabo Verde
  • Cambodia
  • Cameroon
  • Canada
    • Eileen Kernaghan: The Alchemist’s Daughter
    • Clem Martini: Feather and Bone: The Crow Chronicles
  • Central African Republic
  • Chad
  • Chile
    • Ygdrasil: Jorge Baradit
  • China
  • Colombia
  • Comoros
  • Congo, Democratic Republic of the
    • Everfair: Nisi Shaw
  • Costa Rica
  • Cote d’Ivoire
  • Croatia
  • Cuba
    • The Island of Eternal Love: Daína Chaviano
  • Cyprus
  • Czech Republic
    • Labyrint (Labyrinth): Pavel Renčín:
    • Aberrant: Marek Sindelka
  • Denmark
    • Alex Uth: Marskens konge
  • Djibouti
  • Dominican Republic
  • Ecuador
  • Egypt
    • El3osba: John Maher, Maged Refaat, and Ahmen Raafat
  • El Salvador
  • Equatorial Guinea
  • Eritrea
  • Estonia
  • Ethiopia
    • Who Fears Death: Nnedi Okorafor
  • Fiji
    • The Fantasy Eaters: Stories From Fiji: Subramani
  • Finland
    • En tunne sinua vierelläni (I Don’t Feel You Beside Me):Tiina Raevaara
    •  Unenpäästäjä Florian (Dream Releaser Florian): Jani Saxell
    • The Core of the Sun: Johanna Sinisalo
  • France
  • Gabon
  • Gambia
  • Georgia
  • Germany
  • Ghana
    • Tail of the Blue Bird: Nii Ayikwei Parkes
  • Greece
    • The Odyssey: Homer
  • Grenada
  • Guatemala
  • Guinea
  • Guinea-Bissau
  • Guyana
  • Haiti
  • Honduras
  • Hungary
  • Iceland
  • India
  • Indonesia
  • Iran
    • The Wrath and the Dawn: Renee Ahdieh
  • Iraq
    • Ahmed Saadawi, Frankenstein in Baghdad
  • Ireland
    • Skulduggery Pleasant: Derek Landy
    • Tokyo Gothic: David Conway
  • Israel
    • Sequoia Children:Gon Ben-Ari
    • Nuntia (Frost): Shimon Adaf
    • Central Station: Lavie Tidhar
  • Italy
    • Scarlett: Barbara Baraldi
    • Black Flag: Valerio Evangelisti
    • Forget me, Find me, Dream me: Andrea Viscusi
  • Jamaica
  • Japan
    • Spice and Wolf : Isuna Hasekura
    • Dragon Sword and Wind Child: Noriko Ogiwara
    • Hard-Boiled Wonderland and the End of the World: Haruki Murakami
  • Jordan
  • Kazakhstan
  • Kenya
    • Wizard of the Crow: Ngugi Wa Thiong’o
  • Kosovo
  • Kuwait
  • Kyrgyzstan
  • Laos
  • Latvia
  • Lebanon
  • Lesotho
  • Liberia
  • Libya
  • Lithuania
  • Luxembourg
  • Macedonia
  • Madagascar
  • Malawi
  • Malaysia
  • Maldives
  • Mali
  • Malta
  • Marshall Islands
  • Mauritania
  • Mauritius
  • Mexico
  • Micronesia
  • Moldova
  • Monaco
  • Mongolia
  • Montenegro
  • Morocco
    • Mirage: Somaiya Daud
  • Mozambique
  • Myanmar (Burma)
  • Namibia
  • Nauru
  • Nepal
  • Netherlands
  • New Zealand
    • The Dragonslayer’s Apprentice: David Calder
  • Nicaragua
  • Niger
  • Nigeria
    • The Famished Road: Ben Okri
    • My Life in the Bush of Ghosts: Amos Tutola
    • Akata Witch: Nnedi Okorafor
    • Rosewater: Tade Thompson
    • Lagoon: Nnedi Okorafor
  • North Korea
  • Norway
  • Oman
  • Pakistan
  • Palau
  • Palestine
  • Panama
  • Papua New Guinea
  • Paraguay
  • Peru
  • Philippines
    • Patron Saints of Nothing: Randy Ribay
  • Poland
    • Wit Szostak: Chocholy (The Chochols)
    • The Witcher
  • Portugal
  • Puerto Rico
    • United States of Banana: Giannina Braschi
    • Dealing in Dreams: Lilliam Rivera
  • Qatar
  • Romania
  • Russia
    • The Scar: Marina and Sergey Dyachenko T
    • Mariam Petrosyan: Dom, v kotorom… (The House Where…)
    • Simbionty (The Symbionts): Oleg Divov
    • S.S.S.M. (The Happiest Country in the World): Maria Chepurina
    • Padeniye Sofii (The Fall of Sophia): Yelena Hayetskaya
    • Day of the Oprichnik: Vladimir Sorokin
    • Shadow Prowler: Alexey Pehov
    • There once lived a woman who tried to kill her neighbor’s baby: Aludmilla Petrushevskaya
  • Rwanda
  • St. Kitts and Nevis
  • St. Lucia
  • St. Vincent and The Grenadines
  • Samoa
  • San Marino
  • Sao Tome and Principe
  • Saudi Arabia
  • Senegal
  • Serbia
    • Kosingas: Order of the Dragon: Aleksandar Tesic
  • Seychelles
  • Sierra Leone
  • Singapore
  • Slovakia
  • Slovenia
  • Solomon Islands
  • Somalia
    • Olondria: Sofia Samatar
  • South Africa
    • Lauren Beukes: Zoo City
  • South Korea
  • South Sudan
  • Spain
  • Sri Lanka
  • Sudan
  • Suriname
  • Swaziland
  • Sweden
    •  Lilla stjärna (Little Star): John Ajvide Lindqvist
    • Udda verklighet (Odd Reality):Nene Ormes
    • Vännerna (The Friends):Lars Jakobson
    • Let the Right One In: John Ajvide Lindqvist
  • Switzerland
    • Conspiracy of Calaspia: Guptara Twins
  • Syria
    • Breaking Knees: Zakaria Tamer
  • Taiwan
  • Tajikistan
  • Tanzania
  • Thailand
  • Timor-Leste
  • Togo
  • Tonga
  • Trinidad and Tobago
    • Bloodspell: amalie Howard
    • A wave in her hand: Lynn Joseph
  • Tunisia
  • Turkey
  • Turkmenistan
  • Tuvalu
  • Uganda
  • Ukraine
    • Vita Nostra: Sergey and Marina Dyachenko
    • The land of Stone Flowers: Sveta Dorosheva
    • The Stranger: Max fREI
    • Kaharlyk: Oleh Shynkarenko
  • United Arab Emirates
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Yemen
  • Zambia
  • Zimbabwe Yuri Herrera