Searching for Real, not Reels

I recently saw a video of a baby penguin, and quickly shared it with others, claiming “how adorable” the animal was. But very soon I realized I’d made a mistake: the baby penguin was, in fact, not real. It was AI-gen.

Artificial intelligence—AI—seems here to stay, for better or for worse. With the rise of both evaluative and generative AI, the integrated use of technology in our works of ‘creation’ is already more or less accepted as a given as our society continues along these trends.

What I wonder, though, is not so much the use and abuse of AI, but the shedding of technology. More and more—at least within my own algorithmically-shaped feeds (which are themselves an issue, creating parallel realities for different users)—do I see content creators proclaiming to rid themselves of ‘smart’ technology and going back to analog, or at least to ‘dumb’ phones and such.

As more AI-gen videos flood the internet and reality becomes harder to discern, I believe that people are going to rely more on either older content, or on books and other printed material, for verifiable truth. What better way to feel confident that what you are engaging with is based on direct human creation rather than artificial duplication, than something published years before the first current-form AI videos dropped. We will turn our attention more to provenance, seeking a known and verified chain of authorship, labor, and historical context. We will be searching for what is real.

I’m seeing the idea of brain-rot circulating through the internet, even in my limited and simplified use of social media, and the narrative that to read much (books, it seems) is to be ‘ungovernable.’ Even younger people are embracing being bored. What this reads as to me is the recognition that technology has hit its everyday usage limits in our lives and, at least for a segment of our society, we desire simplicity and a reclamation of our human intelligence. It feels more like a quiet revolution, an unwinding of what our modern technology has wrought, reverting to less integrated and more simplified routines.

AI feels like it is taking over without our consent. From the Gemini overviews of documents in my Google Drive, Google gmail summaries of email chains, to even WordPress, where I am writing this post, AI is interruptive, disruptive, and inescapable. As AI is shoved further down our throats, it won’t be a wonder when we reach our choking point and turn our backs on it.

I also wonder whether all of this is in part related to the in-built distancing between user and technology. With the loss of haptic sensations, like buttons that depress when pressed, the clicking of dials fiddled with, the weight of mechanical feedback, I think our brains are begging to be able to interact with the world again. Our minds do not like disconnecting from the things our bodies, especially our hands, interact with, and we do not, in fact, enjoy outsourcing our thinking. Perhaps our brains are not only tired of constant and sensory-deprived stimulation, but are longing to (literally) feel the world push back again.

All this to say: as our ennui and distrust of technology increase, I do think we will shed it and return to more analog-based sources of information. Books, archival catalogs, and the ‘old internet’ will be where we search for our truths, rather than the ‘new’ internet, where origins are unknown, and even content itself cannot be trusted to be real.

By: Rania Hanna

It’s been a while: world on fire, creative work, and upcoming comic

Hi friends. It’s been a while.

Honestly, I haven’t had much energy lately to post much of anything, not the least of which a well-thought out blog post that’s worth sending out. Arguably, I don’t have the energy to write this one, but I’ll try to put down my thoughts regardless.

It’s been a horrible year. The world seems on fire, in some places, quite literally, including in Palestine/Israel, Syria, Turkey, California, Oregon, and other places. It seems the entire world is ablaze literally, and certainly, figuratively.

Palestine is under 22 months of siege, genocide, Israeli-engineered famine, and, as scholars are saying, a holocaust. Syria is under attack by Israel, including in Damascus and in southern Syria, where Druze populations are. Lebanon is precarious, with ongoing threats of attacks from Israel. Never mind our perilous situation in the United States, with Trump’s orders to send in the National Guard into DC, of which I saw groups of 3 or 5 roaming the National Mall and metro stations just two weekends ago.

It’s a scary time, and that’s not even going into the assaults on women, queer, Indigenous, Black, and other lives in America alone.

(BTW, there’s a bookish auction ongoing to raise funds for immigrant and trans rights, through August 27th).

With everything going on, I’ve continued to write, but I feel a bit…dead…inside, like I’m mostly a shell of a person right now. Creatively, I’m still doing work, but I can feel both body and mind slowing down, grieving, and, frankly, retracting, even as I try to reach out to people more. It’s a fine line between staying informed, trying to do work that can contribute to a healthy society, and protecting myself from the constant onslaught of horrible events. No wonder my recent Youtube watches have been on nomading through the US in a car, finding a couple acres to build a homestead on, and relaxing book recommendations coupled with homemade pastries and teas.

I have a few projects I’ve been working on, including a few novels, and one semi-memoir/social commentary on Arab-American discrimination and racism. They’re in different stages of creation, some I’m in the throes of edits for, others I’m still doing research for.

However, a short spread in a comic issue is coming out, a story on imperialism’s actions on collective memory and the rewriting of history. The story comes out in Planet Comics: Book Six, which you can back on Kickstarter. The work has hit full funding, but if you’d like a copy, feel free to back the project. It should come out in November-ish of this year.

Here’s a bit on my piece:

Rania Hanna (author of The Jinn Daughter), Erin Dodge and Ari Pluchinsky bring us the single-issue story, “The Archivist of Al-Azrakh”!

Sample page from “The Archivist of Al-Azrakh”

Signing off for now, and maybe for a while,
Rania

Movable Feast at Bookmarks – be there!

MARK YOUR CALENDARS

Guess where I’ll be this January? At the Moveable Feast at @bookmarksnc!
January 24-25th, 2025, in Winston-Salem, NC, both the Saturday afternoon and Sunday afternoon events will be a traditional Movable Feast style event, where each author will visit ten tables for ten minutes each (think speed dating with authors!)

You can view more information and find ticket links at bookmarksnc.org/MovableFeast.

The Jinn Daughter has been receiving attention!

The Jinn Daughter has been positively received by critics and readers alike the last few weeks since its release, in paperback, hardcover, and ebook formats.

Here’s what reviewers have been saying:

  • Elle Magazine: Best Fantasy of 2024, so far
  • BookRiot: 10 exciting books to read this summer
  • DC Trending: Best new books of summer 2024
  • Literary Liberation podcast: Read this if you need a mother’s love
  • Arab News: A hauntingly inimitable debut
  • The New Arab: “The fairytale-like and bizarre scenes elevate the story’s mystique and are reminiscent of a mature and Middle Eastern Grim[m] Brothers tale”
  • Starry mag: “Just know that tissues will be needed”

Bid on bookish things, including…

a signed copy of The Jinn Daughter by yours truly.

Gaza Evacuation Fund Book Auction

The situation on the ground in Gaza has only grown more dire in the past seven months. Millions of Palestinians are at risk of death by starvation, disease, bombing, infection, sniper, and more at Israel’s hands.

This auction is designed to raise money for Palestinians who are trying to flee Gaza and survive genocide. We’re asking the book community to join together and donate the funds necessary to help Palestinians escape to safety with their loved ones.

The auction will run from May 3rd, 2024 until 11:59 PM EST on May 12th, 2024.